A brief history of the belligerent Schlockmeister

He has been a figure of enduring fascination since the early days of the internet. He earned scorn, mockery and even grudging respect. It is the answer to the question “What if Ed Wood was an angry German who hit people? ” Of BloodRayne to Postal, his movies are universally notorious for their shoddy quality, poor taste, and simply baffling execution. There are a lot of lousy filmmakers, but there is only one Uwe Boll.

Part of what makes Uwe Boll such an intriguing figure is that, despite what everything you’re about to learn about him might suggest, there’s a little more to him than meets the eye. appears. Born in North Rhine-Westphalia, Germany (his first name is pronounced “oo-veh”), he holds a doctorate. in literature, and a critic who interviewed Boll described him as “someone who loves cinema, knows its history and really lives for what he does”. This is not, to put it charitably, the impression one has when watching his films.

“I hate video games!”

For a long time, it was common knowledge that any attempt to adapt a video game into a film was doomed to failure. The success of films like Detective Pikachuas well as the next Super Mario Bros movie.change that somewhat, but the stigma has been around for as long as video game movies have existed – and that’s largely Uwe Boll’s fault.

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house of death. Alone in the dark. BloodRayne. In the name of the king. Postal. Far cry. In the 2000s, it seemed like nothing could stop Boll from making terrible movies based on video game franchises: not the abysmal box office, not the scathing critical response, not the hordes of irate gamers outraged by his indifference to the source material. Those movies were awful, but for the most part they were awful in this particularly lackluster mid-2000s genre: generic and ugly, with only a few weird castings (Tara Reid as a brilliant scientist Alone in the dark) or knowing the camp (Ben Kingley have a bullet in BloodRayne) to liven things up.

Boll made these movies way beyond the point where it made sense. A German tax loophole (since closed) meant he could make money even on a flop, but soon even that had its limits. Petitions circulated to ban him from making films; the Golden Raspberry Rewards presented him with a Lifetime Achievement Award; when bidding for the rights of a World of Warcraft movie, Blizzard said, “We will not be selling the rights to the movie, not to you… especially not to you.” The more conspiratorial began to wonder if this was, in fact, Boll’s way of getting revenge on video games as an art form, which Boll mocked in Postal, where he played a Nazi pedophile amusement park owner who shouted “I hate video games!” after being shot in the dick. (That pretty much sums up everything you need to know about Postal.)

Uwe’s Originals

Boll’s original films generally fall somewhere on the action-horror-thriller continuum, with plenty of jarring violence and sociopolitical button presses – some of which are plot-centric (as with Darfur and Assault on Wall Street), some of them foreign (as with Seed, a gruesome piece of torture porn that features industrial animal abuse footage in the opening credits for reasons that only make sense to Boll). Most of these movies aren’t very good, and some of them are downright sickening. Take Auschwitz, which claimed to show the horrors of the Holocaust to a new generation but really fell into rank exploitation. Still, there’s something oddly fascinating about his low-budget world, and from the start of his career he’s always managed to find interesting actors (like the school drama In the heart of Americawhich included a young Elizabeth Moss).

And then there is Carnage, which, when it was released in 2009, aroused wonder and amazement: Uwe Boll had made a good film! Not necessarily a great movie, of course, but a Well one: a surprisingly tense and wicked action-thriller about a nihilistic mass murderer and his efforts to reduce the world’s population. It won’t be to everyone’s taste, and its politics have aged terribly, but the craft is solid and the kills are gnarly (just a bit inside a bingo hall is enough to elicit giddy, incredulous laughter. ) This is reminiscent of a bargain -trash can S. Craig Zahlerand there is worse for a film.

Boxing, Bay and Bauhaus

Perhaps more than his films, Boll is known for his, shall we say, belligerent attitude towards critics. The most famous incident came in 2006, when Boll, telling his detractors to “shut up or shut up”, challenged them to a series of fucking boxing matches. The fact that Boll beat all five comers did not reflect this as well as he might have thought, given that Boll was considerably taller than his opponents; neither did the fact that he refused to fight other critics, like Sean “Seanbaby” Reilly, who matched both size and fighting experience.

To advertise for PostalBoll posted a video where he called, among other things, Michael Bay and Eli Roth “Fuck latecomers.” It earned him another round of convictions, because even in the border years of 2007, you weren’t just saying things like that. Bay, who had just released the first Transformers movie, reacted with confusion and annoyance, making it one of the few times Michael Bay was the reasonable, level-headed half of a confrontation.

There is, however, a happy ending to all of this. Boll has been stepping away from filmmaking in recent years (although he’s also announced a comeback), focusing instead on a career as a restaurateur – which everyone agrees is much better. His first restaurant, Bauhaus, was named one of the best restaurants in Canada, and he plans to expand his culinary empire soon…and he didn’t even have to fight to get there.

A brief history of the belligerent Schlockmeister – CNET – ApparelGeek